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Behringer DEEPMIND 6X Snelstartgids pagina 7

12
DEEPMIND 6X
DEEPMIND 6X Controls
(EN) Step 2: Controls
(5)
(6)
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(15)
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(17)
(18)
(19)
(2)
(4) (8)
(7)
(1)
(3)
(20)
(9)
(10) (11)
(12)
(13)
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(1) DISPLAY – this large backlit LCD screen shows
CHORD – allows you to play any chord with a
the synthesizer status, parameters, and the
single key. The chord is given a root note and
five main menus. The contrast and brightness
mapped across the keyboard.
are adjustable on the PANEL SETTINGS page of
POLY CHORD – allows you to play multiple
the GLOBAL menu.
chords from multiple keys. The chords are
(2) NAVIGATION – navigate within the display
mapped to individual keys.
(2)
(4) (8)
(9)
(10) (11)
(12)
menus using the UP, DOWN, +/YES and
TAP/HOLD – tap this button in time with your
-/NO buttons.
performance to set the rate/BPM, or press and
(3) MENUS – these switches allow access to the
hold to engage the HOLD function.
display menus.
EDIT – this allows additional arpeggiator/
PROG MENU – the main display of the
control sequencer parameters to be edited
synthesizer. Shows the current program, the
from the main display.
currently adjusted parameter and a visual
(6) LFO 1 and 2- low frequency oscillators used
representation of the parameter and the
to modulate or control other parameters.
three envelopes.
RATE – this sets the rate, or speed of the LFO.
FX MENU – add up to four effects from the
list available. Change the effects routing by
DELAY TIME – the duration of time which will
selecting one of the ten MODEs available.
elapse before the LFO starts.
Each of the effects has individual controls
EDIT – this allows additional LFO parameters
for all parameters.
to be edited from the main display.
GLOBAL MENU – view and adjust
LFO WAVEFORMs – these LEDs indicate the
settings for the synthesizer. There are five
type and status of the waveforms produced
pages, CONNECTIVITY, KEYBOARD, PEDAL,
by each LFO.
PANEL and SYSTEM.
(7) OSC 1 & 2 – These analog full range
(20)
COMPARE MENU – in this menu, you can
oscillators create waveforms which are the
compare the current program with the stored
sound source of the synthesizer.
program and see the difference in physical
OSC 1 & 2 PITCH MOD – amount of pitch
fader positions.
modulation applied to respective OSC.
WRITE MENU – in this menu, you can write
the current program settings to the program
OSC 1 SQUAREWAVE – this switch turns the
library. You can also rename the program and
square wave output for OSC 1 on/off.
set its category type.
OSC 1 PWM – amount of pulse width
(4) DATA ENTRY – selected parameters on the
modulation applied to the OSC 1 square wave.
display are adjusted using the rotary knob or
OSC 1 SAWTOOTH – this switch turns the
the fader. The rotary knob has a click which
sawtooth output for OSC 1 on/off.
allows very accurate control. The fader allows
rapid adjustment across the full range.
OSC 2 TONE MOD – amount of tone
modulation applied to OSC 2.
MOD – this switch opens the modulation
matrix on the display and allows up to 8
OSC 2 PITCH – controls the base pitch
modulations to be created from the list of
of OSC 2.
sources and destinations.
OSC 2 LEVEL – controls the level of OSC 2.
(5) ARP/SEQ – this area controls the arpeggiator
NOISE LEVEL – controls the amount of white
and the control sequencer.
noise added to the oscillators.
ON/OFF – when activated, this generates an
EDIT- this allows additional OSC parameters
arpeggio based on pressed keys. Note – the
to be edited from the main display.
control sequencer is turned on from its edit
page only.
RATE – adjusts the rate of the arpeggiator /
sequencer in beats per minute (BPM).
GATE TIME – adjusts the duration of the note
played based on a percentage of the time
between triggered notes.
Quick Start Guide
(8) POLY – this area is used to control the
polyphony of the synthesizer.
UNISON DETUNE – when voices are playing
in unison, this adjusts the amount of detuning
between the voices.
EDIT- this allows additional POLY parameters
to be edited from the main display.
(9) VCF – the voltage controlled low pass filter
used to filter high frequencies from the sound
of the synthesizer.
FREQ – adjusts the cut-off frequency of
the filter.
2-POLE – changes the roll off slope of the
(13)
filter from the default 4-POLE mode to a
2-POLE mode.
RES – adjusts the resonance of the filter
cut-off point.
EDIT – allows additional VCF parameters to be
edited from the main display.
ENV – adjusts the level of the VCF ENVELOPE
which controls the filter cut-off frequency.
INVERT – used to invert the polarity of
the VCF envelope applied to the filter
cut-off frequency.
LFO – adjusts the depth of the selected
LFO waveform applied to the filter
cut-off frequency.
KYBD – adjusts the amount of keyboard
tracking to be applied to the filter
cut-off frequency.
VCA – the voltage controlled amplifier used to
(10)
control the output level.
LEVEL – controls the output level of the VCA.
EDIT – this allows additional VCA parameters
to be edited from the main display.
HPF – the voltage controlled high pass filter
(11)
used to filter low frequencies from the sound
of the synthesizer.
FREQ – used to adjust the frequency of the
high pass filter.
BOOST – this switch applies a +12 dB bass
boost to the signal path
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